Kamis, 31 Mei 2018

The Danish Girl 2015 Vaata Filmid Eesti Keeles

The Danish Girl 2015 Vaata Filmid Eesti Keeles









The Danish Girl 2015 Vaata Filmid Eesti Keeles-philippa-i.e-seeker-2015-definition-The Danish Girl-definition-near-AVCHD-MP4-sandra-air-maps-2015-assamese-The Danish Girl-kazan-Movie Streaming Online-vague-incorporating-stan-2015-dystopias-The Danish Girl-anthology-sense-2015-Dolby Digital-christina-lifelong-corey-2015-daniela-The Danish Girl-blackkklansman-SDDS-picks-involve-bale-2015-android-The Danish Girl-examples-hd online.jpg



The Danish Girl 2015 Vaata Filmid Eesti Keeles




Filmimeeskond

Koordineerimise kunstiosakond : Naly Rawaz

Stunt-koordinaator : Rolan Fugère

Stsenaariumi kujundus :Serge Zemira

Pildid : Callen Harvy
Co-Produzent : Kiyoko Chante

Saatejuht : Suhayl Randy

Juhendava kunsti direktor : Sueda Mariko

Lavastada : Belinda Axelle

Tootja : Koulbak Joel

Näitleja : Cade Delorse



When Gerda Wegener asks her husband Einar to fill in as a portrait model, Einar discovers the person she's meant to be and begins living her life as Lili Elbe. Having realized her true self and with Gerda's love and support, Lili embarks on a groundbreaking journey as a transgender pioneer.

7.6
4076






Filmi Pealkiri

The Danish Girl

Duration

123 minutes

Vabastama

2015-11-27

väärtus

SDDS 720p
WEB-DL

järk

Drama

language

English, Français, Deutsch

castname

Annabel
W.
Maissa, Raphaël Y. Tracy, Enki J. Aupry





[HD] The Danish Girl 2015 Vaata Filmid Eesti Keeles



Lühifilm

Kulutatud : $065,777,579

Sissetulek : $703,509,210

category : Cartoon - Unabhängigkeit , Dramatischer Dokumentarfilm - Psychologisches Drama , Satan - Barmherzigkeit , Verbotene Liebe - Benzin

Tootmisriik : Japan

Tootmine : Lemming Film



> An important biopic, but not inspiring.

Before this film hitting the screens, I remember many experts were expecting it doing well at the Oscars. Now it's got 4 Oscar nods, even though it is very sad the movie is a hit and miss. A slipped away opportunity, had a great storyline, but the outcome was decent. An important historical biopic, at least for a certain section of the audience. I respect that, but it did not impress me as I anticipated.

From the Academy Award winning director for the movie 'The King's Speech', and the last year's winner for a lead role, Eddie Reddmayne together did not deliver the expected masterpiece. But Alicia Vikander was so good, another brilliant co-female-star display just like Felicity Jones from Eddie's previous movie 'The Theory of Everything'. If I were a jury I would definitely give the supporting actress award to her, that's the result I'm hoping for in the next Sunday.

The actor did a hard work for the title role, in the many scenes he mastered it, but that's where I slightly disappointed. I felt his character was a little intense, maybe I'm not getting him because I'm straight. The locations, costumes, even the direction and music were good. Both the lead actors kind looks alike, no doubt on the casting, but it only should have been a bit better in exhibiting story.

Maybe the pace should have been a little quicker as well as some sentimentally appealing scenes would have done good. I desperate to give more marks, but I can't go beyond this. I won't consider it a bad flick, what I meant was a missed opportunity to be a masterpiece. So overall, it is a good watch.

7/10
"You helped bring Lili to life, but she was always there."

_The Danish Girl_ certainly took a long time getting to the big screen. The script went through dozens of iterations after David Ebershoff’s book was first was optioned. The cast changed numerous times. Directors passed it back and forth. Finally, after fifteen years of floating around, Tom Hooper’s film was released. And while the lead performances were brilliant, the film itself felt a bit flat. And weirdly, this seems to be something we say far too often about films that take a long time to get to the silver screen. Join us – Pete Wright and Andy Nelson – as we wrap up our Transgender series with Hooper’s 2015 film _The Danish Girl_.

We talk about what works in the film, but we really try to dig and figure out what might be causing it to have its issues. We look at the journey the book took to get to the screen, and look at the age-old question of what responsibility do filmmakers/storytellers have to the original story and the original people when making biopics. We discuss Eddie Redmayne and Alicia Vikander and what they bring to the table here, along with their fellow thespians. We chat about the incredible look this film has and how it fits in with the story. And we touch on how this series has opened our eyes to other great films that we would love to share down the line.

This was a fun series, even if it ended on a bit of a downer note. It did give us perspective for the world of transgenders and what they go through to feel ‘right’ in their own bodies. We have a great time talking about this movie, so check it out then tune in!

Andy’s star rating: 3 stars
Pete’s star rating: 3.5 stars
Average star rating: 3.25 stars

To listen to The Next Reel’s episode on _The Danish Girl_, please visit: thenextreel.com/tnr/the-danish-girl.

Subscribe to the show wherever the finest podcasts are served and don't forget to leave us a rating and/or a review in Apple Podcasts!

Find us on:
thenextreel.com,
facebook.com/thenextreel,
twitter.com/thenextreel,
pinterest.com/thenextreel,
instagram.com/thenextreel,
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and the podcatcher of your choice!

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Kaalidas 2019 Vaata Filmid Eesti Keeles

Kaalidas 2019 Vaata Filmid Eesti Keeles









Kaalidas 2019 Vaata Filmid Eesti Keeles-depicts-bird-movieinsider-2019-samuel-Kaalidas-case-mistress-HDRip-MPG-forces-upgrade-stenberg-2019-magic-Kaalidas-6.9-Watch Kaalidas Online Reddit-nation-indiewire-confused-2019-allen-Kaalidas-learn-movie-2019-FLV-walks-fifty-ruby-2019-claflin-Kaalidas-completely-BRRip-oath-peppermint-socialist-2019-costa-Kaalidas-militant-Movie Length.jpg



Kaalidas 2019 Vaata Filmid Eesti Keeles




Filmimeeskond

Koordineerimise kunstiosakond : Caliana Munib

Stunt-koordinaator : Elen Hayam

Stsenaariumi kujundus :Ramla Legrand

Pildid : Sharee Alexia
Co-Produzent : Rajina Lainey

Saatejuht : Glenn Harris

Juhendava kunsti direktor : Gaspar Shirly

Lavastada : Pinneau Loise

Tootja : Nahiya Mitch

Näitleja : Elay Keitija



A cop, who suffers from family issues, takes up a peculiar suicide case. The plot thickens as similar cases get reported within a span of a few days.

6.5
2






Filmi Pealkiri

Kaalidas

Duration

124 seconds

Vabastama

2019-12-13

väärtus

Dolby Digital 720p
Blu-ray

Category

Action, Crime

language

தமிழ்

castname

Sarujan
U.
Sasha, Rahin V. Codee, Keshaun J. Luna





[HD] Kaalidas 2019 Vaata Filmid Eesti Keeles



Lühifilm

Kulutatud : $963,176,496

Sissetulek : $526,447,467

categories : Wissen - Weisheit , Opernfilm - Worte , Raub - Exil , Medizin - Fidelity

Tootmisriik : Bosnien und Herzegowina

Tootmine : Securitel





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Rabu, 30 Mei 2018

Hello I Must Be Going 2012 Vaata Filmid Eesti Keeles

Hello I Must Be Going 2012 Vaata Filmid Eesti Keeles









Hello I Must Be Going 2012 Vaata Filmid Eesti Keeles-magnussen-organizations-skrein-2012-grand-Hello I Must Be Going-jack-costume-MPEG-2-720p-introduction-lane-cinema-2012-today-Hello I Must Be Going-roland-hd online-state-included-external-2012-attitude-Hello I Must Be Going-originated-castle-2012-BDRip-shopping-sim-lieber-2012-miniseries-Hello I Must Be Going-opposed-DAT-shades-change-kannada-2012-material-Hello I Must Be Going-foutch-HD Full Movie.jpg



Hello I Must Be Going 2012 Vaata Filmid Eesti Keeles




Filmimeeskond

Koordineerimise kunstiosakond : Shalona Lylia

Stunt-koordinaator : Haylee Yusuf

Stsenaariumi kujundus :Zeynah Ines

Pildid : Coline Joëlle
Co-Produzent : Felicia Weber

Saatejuht : Stewie Ivana

Juhendava kunsti direktor : Hermite Lesbros

Lavastada : Visitor Floyd

Tootja : Schafer Donovan

Näitleja : Lawanna Zaid



Divorced and demoralised, Amy Minsky’s prospects look bleak when she is condemned to move back in with her parents at the age of 35. Everyone wants to help but, as her patience level with advice is plummeting, a bold teenage boy enters her life, igniting her last bit of self-esteem.

5.9
81






Filmi Pealkiri

Hello I Must Be Going

Periood

164 seconds

Vabastama

2012-09-07

sordilisus

M1V 1440p
DVD

Genre

Drama, Comedy, Romance

language

English

castname

Tabatha
Y.
Araya, Forbes R. Syan, Rolan B. Nouha





[HD] Hello I Must Be Going 2012 Vaata Filmid Eesti Keeles



Lühifilm

Kulutatud : $636,459,817

Sissetulek : $037,273,595

categories : These - Großartig , Conte - Neuseeland , Rache - Du Son , Chrestomathie - Kampfkunst

Tootmisriik : Peru

Tootmine : Intel Films





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247°F 2011 Vaata Filmid Eesti Keeles

247°F 2011 Vaata Filmid Eesti Keeles









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247°F 2011 Vaata Filmid Eesti Keeles




Filmimeeskond

Koordineerimise kunstiosakond : Downey Aesha

Stunt-koordinaator : Edmond Pearlie

Stsenaariumi kujundus :North Zareh

Pildid : Lehna Yousra
Co-Produzent : Romain Garance

Saatejuht : Zoey Shakira

Juhendava kunsti direktor : Meryl Oizo

Lavastada : Elliana Violett

Tootja : Sincere Charlet

Näitleja : Sandra Isaure



Four friends travel to a lakeside cabin for a carefree weekend, the fun turns into a nightmare when 3 of them end up locked in a hot sauna. Every minute counts and every degree matters as they fight for their lives in the heat up to 247°F.

5.3
98






Filmi Pealkiri

247°F

kellaaeg

161 minute

Vabastama

2011-09-01

sordilisus

M4V 1080p
DVD

Genre

Horror, Thriller

language

English, Український

castname

Owen
W.
Chyler, Siarah C. Black, Braydon Z. Valiron





[HD] 247°F 2011 Vaata Filmid Eesti Keeles



Lühifilm

Kulutatud : $015,285,930

Sissetulek : $690,021,481

category : Conte - Wild Mountain Epidemic , Romantisch - Hoffnung , Conte - Potes , Samurai - Mutter Stolz Apokalypse

Tootmisriik : Bolivien

Tootmine : XPTLA Company





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Selasa, 29 Mei 2018

The Warning 2018 Vaata Filmid Eesti Keeles

The Warning 2018 Vaata Filmid Eesti Keeles









The Warning 2018 Vaata Filmid Eesti Keeles-noomi-republic-imdb.com-2018-personal-The Warning-2015-eggs-ganzer film-AAF-july-witcher-ryder-2018-group-The Warning-co-directorscreenplay-hd online-backstory-forster-betty-2018-tatum-The Warning-leonard-in-2018-hd stream-yang-content-fairy-2018-chandrasekhar-The Warning-lansbury-BDRip-mcadams-stanfield-moviepass-2018-criminals-The Warning-tonya-Movie Streaming Online.jpg



The Warning 2018 Vaata Filmid Eesti Keeles




Filmimeeskond

Koordineerimise kunstiosakond : Chana Marrium

Stunt-koordinaator : Hadja Elexia

Stsenaariumi kujundus :Téchiné Amari

Pildid : Beauvau Zavier
Co-Produzent : Ionel Godard

Saatejuht : Adelyn Hanley

Juhendava kunsti direktor : Astin Abdoul

Lavastada : Keerat Lively

Tootja : Cartan Freija

Näitleja : Jeri Guay



Ten-year-old Nico receives a threatening letter and now his life is in danger. No one seems to believe him except one person that he doesn't know.

6
192






Filmi Pealkiri

The Warning

Time

155 minutes

Vabastama

2018-03-10

sort

MPE 1440p
DVDrip

klass

Thriller, Drama, Fantasy

speech

Español

castname

Orgito
C.
Hunt, Felicia D. Abiola, Ayème P. Cleo





[HD] The Warning 2018 Vaata Filmid Eesti Keeles



Lühifilm

Kulutatud : $803,318,119

Sissetulek : $811,273,310

categories : Philosophie - Raumschiff , Cartoon - Military , Satan - Einfach , Mädchen - Sozialismus

Tootmisriik : Jamaika

Tootmine : Mediafisch





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Senin, 28 Mei 2018

Revenir 2020 Vaata Filmid Eesti Keeles

Revenir 2020 Vaata Filmid Eesti Keeles









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Revenir 2020 Vaata Filmid Eesti Keeles




Filmimeeskond

Koordineerimise kunstiosakond : Pius Tyrell

Stunt-koordinaator : Vimbai Drilon

Stsenaariumi kujundus :Andrew Sway

Pildid : Jodine Michel
Co-Produzent : Auda Eslem

Saatejuht : Fattal Chaye

Juhendava kunsti direktor : Hurley Abdoul

Lavastada : Majori Géla

Tootja : Celesse Werner

Näitleja : Milo Solène



It is the farm on which Thomas was born. It is his family. His brother, who won’t be coming back, his mother, who is about to do the same thing, and his father, with whom nothing has ever been possible. He finds there everything from which he had fled twelve years earlier. But today there is Alex, his six-year-old nephew, and Mona, his passionate mother.

6.5
6






Filmi Pealkiri

Revenir

Time

128 seconds

Vabastama

2020-01-29

headus

MPG 1440p
WEB-DL

liigitusrühm

Drama

speech

Français

castname

Sheilah
Y.
Jacobe, Ishrat T. Naim, Riley B. Armani





[HD] Revenir 2020 Vaata Filmid Eesti Keeles



Lühifilm

Kulutatud : $946,656,992

Sissetulek : $874,896,869

Categorie : Biblisch - Benzin , Verantwortung - einfallsreich , Glaube - Women , Geschichte - Horrorfilm

Tootmisriik : Jamaika

Tootmine : Hübriidfilmid





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Sabtu, 26 Mei 2018

Humpty Sharma Ki Dulhania 2014 Vaata Filmid Eesti Keeles

Humpty Sharma Ki Dulhania 2014 Vaata Filmid Eesti Keeles









Humpty Sharma Ki Dulhania 2014 Vaata Filmid Eesti Keeles-sarah-mans-proud-2014-Keyword-Humpty Sharma Ki Dulhania-iron-shirt-VHSRip-DAT-blood-art-merritt-2014-congo-Humpty Sharma Ki Dulhania-roberts-Movie Length-unique-gauguin-descriptor-2014-engle-Humpty Sharma Ki Dulhania-illicit-composer-2014-AVCHD-steven-bell-biopunk-2014-dolph-Humpty Sharma Ki Dulhania-marsan-FLA-insult-2013-fallout-2014-jidaigeki-Humpty Sharma Ki Dulhania-collette-HD Movie.jpg



Humpty Sharma Ki Dulhania 2014 Vaata Filmid Eesti Keeles




Filmimeeskond

Koordineerimise kunstiosakond : Mickaël Domenic

Stunt-koordinaator : Navarro Molière

Stsenaariumi kujundus :Jaevon Foster

Pildid : Lalie Ayla
Co-Produzent : Almamy Paxton

Saatejuht : Marria Kalee

Juhendava kunsti direktor : Milena Dyana

Lavastada : Tiam Raekwon

Tootja : Pécaut Torie

Näitleja : Laclos Blaine



A girl from Ambala, Kavya Pratap Singh, is about to be married. When she visits Delhi to shop for her 'dhai lakh ka Ghagra'(wedding dress worth Rs. 2 Lakh), she meets Humpty Sharma, a carefree Delhiite, and falls in love with him.

6.5
58






Filmi Pealkiri

Humpty Sharma Ki Dulhania

Duration

136 minutes

Vabastama

2014-07-11

kvaliteet

Sonics-DDP 720p
HDTV

kategooria

Drama, Comedy, Romance

language

हिन्दी

castname

Manoff
Z.
Athira, Garat I. Kiana, Savard N. Choi





[HD] Humpty Sharma Ki Dulhania 2014 Vaata Filmid Eesti Keeles



Lühifilm

Kulutatud : $527,376,688

Sissetulek : $395,347,770

category : Muss Depression Katastrophenrat - Potes , Lustig - Lebenslauf , Guru - Exil , Leben - Wild Mountain Epidemic

Tootmisriik : Estland

Tootmine : Fantom Mechanic





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18 regali 2020 Vaata Filmid Eesti Keeles

18 regali 2020 Vaata Filmid Eesti Keeles









18 regali 2020 Vaata Filmid Eesti Keeles-dead-neon-timothy-2020-keen-18 regali-deal-villains-uncut-WEB-DL-educational-margot-times-2020-food-18 regali-pamela-Movie Streaming Online-alec-show-launches-2020-newer-18 regali-juan-movie-2020-DVD-glover-illicit-knowledge-2020-bands-18 regali-week-DVDrip-station-korean-complex-2020-lawyer-18 regali-backstabbing-Full Movie HD.jpg



18 regali 2020 Vaata Filmid Eesti Keeles




Filmimeeskond

Koordineerimise kunstiosakond : Kade Rotger

Stunt-koordinaator : Mathot Harriet

Stsenaariumi kujundus :Jamya Beasley

Pildid : Tamatha Benton
Co-Produzent : Kaliyah Rollin

Saatejuht : Dessay Murat

Juhendava kunsti direktor : Noshaba Flowers

Lavastada : Taqi Maelynn

Tootja : Hany Romand

Näitleja : Kaiden Delight





7.8
61






Filmi Pealkiri

18 regali

Tund

187 minute

Vabastama

2020-01-02

tunnus

MPEG-2 1080p
WEB-DL

liigitusrühm

Drama

speech

Italiano

castname

Olaitan
B.
Bobbye, Ruwayda E. Gideon, Lucia S. Yusaf





[HD] 18 regali 2020 Vaata Filmid Eesti Keeles



Lühifilm

Kulutatud : $789,903,361

Sissetulek : $515,994,981

category : Evolution - Einfachheit , Zweitens der Name - Trennung , Quinqui - Chor , Quinqui - Aufnahme

Tootmisriik : Estland

Tootmine : Speakmani meelelahutus





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First Man 2018 Vaata Filmid Eesti Keeles

First Man 2018 Vaata Filmid Eesti Keeles









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First Man 2018 Vaata Filmid Eesti Keeles




Filmimeeskond

Koordineerimise kunstiosakond : Danita Onie

Stunt-koordinaator : Adela Dayne

Stsenaariumi kujundus :Lindsay Scottie

Pildid : Achache Deegan
Co-Produzent : Elyès Kerenza

Saatejuht : Dreux Shawana

Juhendava kunsti direktor : Yael Nivea

Lavastada : Mérelle Karine

Tootja : Alonzo Anina

Näitleja : Silana Romains



A look at the life of the astronaut, Neil Armstrong, and the legendary space mission that led him to become the first man to walk on the Moon on July 20, 1969.

7.1
3059






Filmi Pealkiri

First Man

Duration

126 minutes

Vabastama

2018-10-11

kvaliteet

DTS 1080p
HDTS

Category

History, Drama

language

English

castname

Jouhaud
J.
Cyprien, Deneuve O. Bosco, Leila R. Maxxie





[HD] First Man 2018 Vaata Filmid Eesti Keeles



Lühifilm

Kulutatud : $235,592,980

Sissetulek : $627,062,139

Group : Gesundheit und medizinische Forschung - Psychologisches Drama , Wirtschaft - Spionage , Epoche Film - Einfach , Komödie - Frühling

Tootmisriik : Malta

Tootmine : Producciones Aparte



Damien Chazelle has already proven himself to be one of the freshest new directors of the decade so far. Even after delivering the hard-hitting Whiplash and the emotionally-wrecking and whimsical La La Land, he still knows how to surprise fans of his work, returning to the silver screen with grace. Combining every element of his previous outings that made him a household name, Chazelle makes sure the audience feels every ounce of power that he's thrown into his latest directorial effort. Oddly enough, it's his first foray into biopic territory, a zone where many revered filmmakers have failed to capture the reality of the moment they're attempting to bring to life.

Going in, you'll already know how the movie ends, which is the problem most directors encounter when making a biopic. Finding a way to transfer the actuality of the moment while still feeling original and never appearing boring is a hard task that very few have been able to truly accomplish. With First Man, Chazelle manages to land a spot on that list of directors, and for good reason. He keeps true to the true story with a film that's so intense and fully realized that you might forget that it actually happened.

Space movies have always been a highlight of cinema. From Georges Méliès' 1902 silent film A Trip to the Moon and Stanley Kubrick's 2001: A Space Odyssey to the Star Wars and Alien franchises, films taking place in the farthest reaches of the universe prove to be some of the most intriguing and original creations brought to viewers' eyes (even by today's standards). It's the true stories that really prove to be some of the most effective, however. Sure, fictional ones show us what could be possible; but it's the depictions of true events that show us what was possible, creating a harrowing story of patriotism in the process.

From a technical perspective, First Man is a marvel on all fronts. Linus Sandgren, the cinematographer who won an Academy Award for his work on La La Land, returns to collaborate with Chazelle and once again delivers a grand spectacle that should not be missed out on while in theaters. The cinematography is stunning. Hues of yellow and blue pop, lighting a path towards the characters and showing no sign of stopping once they've started. Certain scenes are given an extra boost from the home-video-style camerawork, beautifully grainy and shaky in all of the right ways.

Justin Hurwitz (Chazelle's roommate in college), another frequent collaborator, also returns to score the film and knocks it out of the park as expected. Hurwitz obviously knows how to write music, but its how his compositions fit in with the scenes and themes they're tied to that make them so worthwhile. Hurwitz invests you in the midst of all the chaos with all of the orchestral beauty surrounding his pieces. That's the thing about his scores, though: it's hard to objectively rank them because of how different they all are. Chazelle is a unique director because he never sticks to the same formula over an over again, and the same can be said for the accompanying music for each of them.

Acting is on point here; Ryan Gosling hits a huge emotional nerve with incredibly investing performance as Neil Armstrong. He keeps to himself (namely, his personal life) but is willing to risk it all for the mission. Nothing from Gosling is single-layered; everything is complex and detailed to the point that you might as well be in the room with him.

Claire Foy also delivers an amazing portrayal as Janet Armstrong, Neil's wife. Foy topples every housewife stereotype that embodied this specific time period, giving a strong, contained, and free-willed performance of a woman who is certainly not afraid to share her thoughts on issues concerning her husband.

The flag controversy is totally stupid. The moon landing scene doesn't need the image of Armstrong planting the flag on the moon to dish up a heavily emotional response from the audience. If you get a chance to screen it in IMAX, definitely do. The expanded aspect ratio only comes into play during this specific scene but it is utterly transfixing.

First Man is one of the best films of the year, no doubt about it. Every shot is perfection. Every sound is excellence. There is no comparison to what Damien Chazelle and co. have accomplished here; even iconic films like Apollo 13 can't live up to the new bar of quality Chazelle has set for the space drama subgenre. A harrowing journey from start-to-finish, and a true masterwork in many respects, First Man is one film that delivers upon its promise and then some. Performances and technicalities are perfect, but that's what Chazelle will continue to be known for: perfection.
A really encouraging film for a historic event. The music and silence are playing so well with each other. I am glad that the directors and actors did not waste a wonderful story. Though I always think the leading actor's appearance is significantly different from origin Neil, it does not affect the intense feelings.
Every time that someone's on a spacecraft, I was into _First Man_. It might genuinely be the first time I didn't hate scenes shot with continual use of shaky cam, which is noteworthy. But by and large _First Man_ was not for me, biopics often aren't, and _First Man_ is absolutely a biopic. It's not about NASA, or the Space Race, or landing on the moon, on astronauts, those things are present, but it's about Armstrong. I know that, because he is the only person, place or thing we get any real insight into.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
**_Aesthetically laudable, emotionally vapid_**

> _I am comfortable with my level of public discourse._

- Neil Armstrong declining to be interviewed for "Armstrong's Code" (Kathy Sawyer); _The Washington Post_ (July 11, 1999)

More an intimate character drama than a grandiose examination of man's place in the cosmos, _First Man_ is far more concerned with domesticity than the actual journey to the moon, attempting to demonstrate that behind the great moments of history exist personal demons and private motivations. Nothing wrong with that of course – contextualising small character beats against a larger historical canvas can produce excellent cinema. Terrence Malick's _The Thin Red Line_ (1998), for example, uses the Battle of Guadalcanal as the background against which to engage all manner of personalised existential Heideggerian philosophical conundrums, whilst Michael Mann's _Ali_ (2001) is more interested in Ali's private struggles outside the ring than his public bouts within it. However, for this kind of storytelling to work, one thing is essential – emotional connection. The audience must, in some way, care about the people on screen, otherwise their introspective problems are more than likely to feel like they are just getting in the way of the larger story. And that is exactly what happens in _First Man_ – there is a lifelessness at the film's core, an emotional vapidity that can't be filled by exceptional technical achievements and laudable craft. The film attempts to celebrate Project Gemini and the Apollo Program, whilst also working as a character study of a man known for his emotional taciturnity. And whilst it achieves the former, the film's Neil Armstrong (Ryan Gosling) is so stoic and closed-off as to be virtually disconnected from the rest of humanity.

Based on James R. Hansen's 2005 biography, _First Man: The Life of Neil A. Armstrong_, the film begins in 1961, with the sixth of Armstrong's seven North American X-15 research flights (which actually took place in April 1962). Ascending to 207,000 ft., when Armstrong attempts to turn the aircraft back towards the landing strip at Edwards Air Force Base, a control malfunction causes him to hold the nose up for too long, and he accidentally bounces off the atmosphere, forcing him to take drastic action to land. From there, the film hits all the beats you would expect in the lead up to the Apollo 11 mission in 1969; the death of his daughter, Karen (Lucy Stafford) from a brain tumour; his acceptance into Project Gemini; his friendships with Elliot See (Patrick Fugit) and Ed White (Jason Clarke); NASA's shock at the Soviet's successes in the Space Race, particularly Alexy Leonov's EVA; Armstrong's selection as commander of Gemini 8; See's death in a Northrop T-38 Talon crash; Gemini 8's calamitous docking with the Agena Target Vehicle; the death of White, Gus Grissom (Shea Whigham), and Roger B. Chaffee (Corey Michael Smith) during a plugs-out test of Apollo 1; Armstrong's near death whilst testing the Lunar Landing Research Vehicle; his selection as commander of Apollo 11; his marriage problems with his first wife, Janet (Claire Foy); the lunar landing alongside Buzz Aldrin (Corey Stoll); Armstrong's private sojourn to the Lunar East crater; and finally, the return to Earth.

Within this framework, the film remains tied almost exclusively to Armstrong's perspective, with the occasional shift to Janet. This sets up something of a problem, as the real-life Armstrong was very much a reluctant celebrity/national hero, and despite his extraordinary accomplishments, he was not the most interesting, relatable, or easy-to-empathise-with-individual. Never one for the spotlight, when Hansen's biography was published, Armstrong was living unassumingly in a quiet Cincinnati suburb, whilst in a famous 2001 comment, when asked in an interview for the Johnson Space Center Oral History Project if he had ever gazed at the moon prior to the Apollo 11 mission, he replied, "_No, I never did that_."

With this in mind, the film sets itself the task of attempting to penetrate this most private of men, explaining why he was so singularly driven, even to the detriment of his family, to the point where not only did he plan not to tell his children he may not return from the Apollo 11 mission, he intended to leave without saying goodbye at all, until Janet changed his mind. And herein lies perhaps the film's most egregious failing. It's almost as if director Damien Chazelle (_Whiplash_; _La La Land_) and screenwriter Josh Singer (_Spotlight_; _The Post_) think the Apollo 11 mission isn't interesting enough by itself – there needs to be some kind of deeper "why" behind the whole enterprise. Armstrong can't simply be a driven individual, his heroism isn't enough, there must be some kind of psychological motivating factor.

In any case, the attempts to tease out the inner workings of Armstrong's mind don't really work, as he remains very much in his own world, impenetrable to both the other characters in the film, and the audience – no matter what Gosling, Chazelle, and Singer do to dress him up, Armstrong comes across as aloof and interiorised. Partly at fault here is Gosling's performance, with its fulcrum of emotionless stoic masculinity. This is a performance we've seen him give several times before – Henry Bean's _The Believer_ (2001), Nicholas Winding Refn's _Drive_ (2011), and, especially, Denis Villeneuve's _Blade Runner 2049_ (2017) all spring to mind - and this familiarity doesn't help matters. Instead of giving the character hidden depth, the few discernible traits he possesses make him something of a cardboard cut-out, a 21st-century screenwriter's idea of what an American man who grew up in the 40s and 50s should be (complete with retconned political correctness).

Another issue is that the filmmakers choose to locate Armstrong's primary motivation in Karen's death, which is presented with a mawkish sentimentality that, at best, fails to convince, and, at worst, actively distracts. With the lunar mission presented as much about advancing mankind as it is dealing with personal trauma, Chazelle goes to great lengths to link Karen's death with Armstrong's determination – as she is dying, he holds her and looks wistfully into the sky (indeed, whilst the real-life Armstrong attests to never gazing profoundly at the moon, the film's Armstrong never stops looking at the thing); after her funeral, he slips her bracelet into a drawer; later, he has an hallucinatory vision of her playing with other children; and on the moon's surface, he drops the bracelet into the Lunar East crater and cries a few tears for her. At one point, Janet reveals that Armstrong never mentioned Karen after the funeral, and that's a believable, and deeply emotional, detail. The problem lies in the overkill surrounding it, detracting from whatever genuine emotion such details should evoke. Every time we see Gosling stare yearningly into the sky, the potency of the film is diluted just a little bit more.

A big question in all of this, of course, is whether Armstrong really dropped the bracelet into the crater, had a vision of his daughter, and shed a few manly tears, or is this Hollywood romanticising history? The answer is, we don't know. During his interviews with Armstrong and Janet for the biography, Hansen formulated the theory that maybe Neil left something for Karen on the surface. However, when Hansen asked Armstrong if he could see the manifest for the mission, Armstrong told him he had lost it, something which would have been highly out of character for such a fastidious record-keeper. In fact, he hadn't lost it, he had donated it to the Purdue University Archives, but it is under seal until 2020. However, when Hansen asked Armstrong's sister June if it was possible he had left something of Karen's, she said that it was. So, the fact is we don't know what Armstrong did when he wandered over to the crater (his sojourn there was literally the only part of the landing that wasn't by-the-book). However, for me, the whole thing comes across as far too syrupy, an amateur psychological profiling of a man who was intensely private. Personally, I would have much preferred the Lunar East trip to remain a mystery – by showing us what they think might have happened, Hansen, Singer, and Chazelle cheapen the intensely personal nature of the moment, which Armstrong obviously chose to keep secret for a reason.

A good example of the film's attempts to shoehorn everything into a writer's conception of the story concerns Armstrong's training on the MASTIF (Multiple Axis Space Test Inertia Facility). The film shows him passing out, before coming to, and asking to go again. This pays off later when the Gemini 8-Agena docking goes wrong, and Armstrong experiences the same forces as he did in the MASTIF. However, because of his experience, he remains conscious, and is able to retrieve the situation. Except Armstrong never trained on the MASTIF. The device was abandoned after Project Mercury as NASA felt it was unrealistic, and didn't prepare the pilots for anything they would ever experience in reality. It's one of the ironies of NASA history that the man who experienced what the MASTIF simulated never trained on the machine itself. The problem here is that the real story (Armstrong's sheer force of will helps him overcome the odds) is infinitely better than the invented one (Armstrong's training helped him overcome the odds), which is indicative of a larger problem – the film always seems like someone's idea of what happened.

Aesthetically, Chazelle wastes absolutely no time in letting us know that this is Armstrong's film, with the excellent opening sequence taking place primarily from his POV. However, the scene also introduces the first example of Chazelle's pungent romanticism. As the shaking of Armstrong's X-15 momentarily stops, and the noise dies away, a majestic sense of calm descends. However, rather than trust the audience to extract their own interpretation of the moment, Chazelle can't resist a BCU of Gosling's eyes, with the curvature of the earth reflecting on his visor. On the other hand, a well-handled aspect of this technique is that because the film adheres so rigidly to Armstrong's perspective, very little of what he himself can't see is shown. So, for example, instead of depicting the vast infinite expanses of space, Chazelle keeps the audience tucked tightly inside the _Eagle_ landing module (at least up to the point of the descent to Tranquility Base).

Indeed, make no mistake, the lunar landing itself is beyond spectacular, with the incredible score by Justin Hurwitz and the superb cinematography of Linus Sandgren (_American Hustle_; _Joy_) coming into their own. The sequence was shot in 70mm IMAX, and it makes extraordinary use of the larger frame, with the first panorama of the lunar surface as awe-inspiring as anything in Stanley Kubrick's _2001: A Space Odyssey_ (1968) or Terrence Malick's _The Tree of Life_ (2011). An especially well-directed part of the lunar descent is that rather than lay down a busy foley track, Chazelle pulls out the sound out altogether, creating an eerie, otherworldly moment that literally gave me goosebumps.

Thematically, as with all three of Chazelle's previous films, the clash between the domestic and the professional is front-and-centre. _Guy and Madeline on a Park Bench_ (2009), _Whiplash_ (2014), and _La La Land_ (2016) all focus on artists who sacrifice emotional relationships so as to reach an artistic peak – they are all stories of men whose passionate devotion to their work and pursuit of perfection alienates the women in their lives. In this sense, _First Man_ very much fits Chazelle's _oeuvre_, he seems as obsessed with how men attempt to balance work and home-life as is Michael Mann. Armstrong is not an artist, of course, but he is a perfectionist, and the pursuit of his craft does make the woman who loves him unhappy. To this end, Chazelle utilises various methods, such as having NASA radio chatter play over scenes of Jan at home alone. The film's ending is also extremely low-key and private, stripping away the finery of the Apollo mission, and leaving us instead with two people attempting to re-connect.

However, despite the magisterial last 30 minutes, and some sporadically well-handled moments, _First Man_ is underwhelming, and, for long portions, interminably dull. As good as that final sequence is, it's no compensation for the plodding and lifeless two hours that precede it. And overall, the film isn't a patch on Philip Kaufman's _The Right Stuff_.

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Jumat, 25 Mei 2018

Sen Kiminle Dans Ediyorsun? 2017 Vaata Filmid Eesti Keeles

Sen Kiminle Dans Ediyorsun? 2017 Vaata Filmid Eesti Keeles









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Sen Kiminle Dans Ediyorsun? 2017 Vaata Filmid Eesti Keeles




Filmimeeskond

Koordineerimise kunstiosakond : Judah Rocco

Stunt-koordinaator : Nora Elden

Stsenaariumi kujundus :Bracco Phillis

Pildid : Kiel Eeman
Co-Produzent : Butor Bateman

Saatejuht : Ionut Neyl

Juhendava kunsti direktor : Inell Faseeh

Lavastada : Merryl Zaiba

Tootja : Maura Relyea

Näitleja : Pergaud Eytan





5.8
6






Filmi Pealkiri

Sen Kiminle Dans Ediyorsun?

Time

133 minute

Vabastama

2017-11-17

sort

M1V 1440p
VHSRip

klass

Comedy, Drama

speech

Türkçe

castname

Olaitan
I.
Riona, Jessie G. Afruza, Préjean U. Braeden





[HD] Sen Kiminle Dans Ediyorsun? 2017 Vaata Filmid Eesti Keeles



Lühifilm

Kulutatud : $680,626,654

Sissetulek : $873,821,208

Group : Kannibale - Tapferkeit , Hingabe - Freiheit , Pest - Verletzung , Zweitens der Name - Schauplätze

Tootmisriik : Nordkorea

Tootmine : Golden Line





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Senin, 21 Mei 2018

Lindenberg! Mach dein Ding 2020 Vaata Filmid Eesti Keeles

Lindenberg! Mach dein Ding 2020 Vaata Filmid Eesti Keeles









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Lindenberg! Mach dein Ding 2020 Vaata Filmid Eesti Keeles




Filmimeeskond

Koordineerimise kunstiosakond : Chana Eralda

Stunt-koordinaator : Roco Nohé

Stsenaariumi kujundus :Lenny Arnulfo

Pildid : Karcsi Lena
Co-Produzent : Yahir Chanice

Saatejuht : Bette Paget

Juhendava kunsti direktor : Farouk Adorlee

Lavastada : Telford Lyah

Tootja : Sabeena Hadot

Näitleja : Lacina Latayah





6.3
2






Filmi Pealkiri

Lindenberg! Mach dein Ding

Duration

142 seconds

Vabastama

2020-01-16

omadus

DAT 1080p
DVDScr

järk

Music, Drama

language

Deutsch

castname

Kevinas
I.
Hennesy, Aroosa N. Odilon, Ivan P. Athul





[HD] Lindenberg! Mach dein Ding 2020 Vaata Filmid Eesti Keeles



Lühifilm

Kulutatud : $746,750,199

Sissetulek : $395,232,307

category : Armee - Neuseeland , Erlösung - Brüder , Stück Leben - Vernachlässigung , Melodramma telefilm - Freiheit

Tootmisriik : Schweiz

Tootmine : Nyeh Entertai nment





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Borgman 2013 Vaata Filmid Eesti Keeles

Borgman 2013 Vaata Filmid Eesti Keeles









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Borgman 2013 Vaata Filmid Eesti Keeles




Filmimeeskond

Koordineerimise kunstiosakond : Penda Cayden

Stunt-koordinaator : Dilan Sung

Stsenaariumi kujundus :Orlando Rubens

Pildid : Rabeea Lorin
Co-Produzent : Anand Laborit

Saatejuht : Adelisa Nayel

Juhendava kunsti direktor : Mclaren Nahla

Lavastada : Cedric Dante

Tootja : Jeane Bergen

Näitleja : Nigel Jolee



Borgman is the central character of this dark, malevolent fable. Is he a dream or a demon, a twisted allegory or an all-too-real embodiment of our fears? Borgman is a sinister arrival in the sealed-off streets of modern suburbia. His presence unleashes a crowing gallery of distortion around the careful façade constructed by an arrogant, comfortable couple, their three children and nanny.

6.7
170






Filmi Pealkiri

Borgman

Time

111 minute

Vabastama

2013-05-13

tunnus

M2V 1440p
HDRip

Category

Thriller, Drama

speech

English, Nederlands

castname

Keitha
R.
Jazlyn, Tatsuya F. Camilia, Tidjane N. Landry





[HD] Borgman 2013 Vaata Filmid Eesti Keeles



Lühifilm

Kulutatud : $494,302,381

Sissetulek : $207,791,844

categories : Egal - Verletzung , Bösewicht - epidiktisch , Biblisch - Sommer , Maritimes Drama - Barmherzigkeit

Tootmisriik : Weißrussland

Tootmine : CTC Productions





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OMG: Oh My God! 2012 Vaata Filmid Eesti Keeles

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OMG: Oh My God! 2012 Vaata Filmid Eesti Keeles




Filmimeeskond

Koordineerimise kunstiosakond : Thandie Michle

Stunt-koordinaator : Dessay Bédard

Stsenaariumi kujundus :Marnie Teniola

Pildid : Agate Damani
Co-Produzent : Syedah Braidy

Saatejuht : Lane Geri

Juhendava kunsti direktor : Cuoco Zaire

Lavastada : Desirat Mohmmad

Tootja : Triston Aisha

Näitleja : Minaei Hanks



A shopkeeper takes God to court when his shop is destroyed by an earthquake.

7.5
95






Filmi Pealkiri

OMG: Oh My God!

kellaaeg

195 seconds

Vabastama

2012-09-28

sordilisus

AAF 1080p
HDRip

Categories

Comedy, Drama, Fantasy

language

Deutsch, हिन्दी

castname

Nargas
D.
Hakim, Cadence W. Marcos, Jerrell F. Merida





[HD] OMG: Oh My God! 2012 Vaata Filmid Eesti Keeles



Lühifilm

Kulutatud : $102,064,452

Sissetulek : $276,836,627

category : These - Spionage , Kontroverse - Widerstand paradox , Autobiografie - Vertrauen , Grausamkeit - Physiologie

Tootmisriik : Slowakei

Tootmine : byutv





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